2023 Grails

post-rock/instrumental

Rand

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10.04.07

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Grails Post-Rock

- Алекс Джон Холл (Alex John Hall)
- Вилльям Закари Райлс (William Zakary Riles)
- Вильям Слейтер (Wiliam Slater)
- Эмил Эмос (Emil Amos)
- Бен Негинт (Ben Nugent)

Дискография
2003 - The Burden of Hope [1]
2004 - Red Light [1]
2005 - Interpretations of Three Psychedelic Rock Songs from Around the World (EP)
2006 - Split 12" with Red Sparowes
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2006 - Black Tar Prophecies Vol. II
2006 - Black Tar Prophecies Vols. 1, 2 and 3 [1]
2007 - Burning Off Impurities
2008 - Take Refuge In Clean Living [1]
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Grails - 2008 - doomsdayer's holiday
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Бенд

Grails - американская инструментальная рок-группа из Портленда, Штат Орегон. Первоначально была сформирована группа "Laurel Canyon", чтобы сыграть одно выступление ради прихоти. В 2003 группа изменила свое название на "Grails", как раз перед выпуском их первого полноформатного альбома. Они приняли более громкий, более агрессивный стиль, не боятся экспериментировать с различными инструментами. Живут в Портленде, но редко играют вживую в своем родном городе.

В 2006 году, группа подписала контракт с независимым лейблом "The Temporary Residence Limited", который выпустил их новый альбом "Burning Off Impurities" в марте 2007.

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post-rock/instrumental
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Сполучені Штати Америки
Останнє редагування модератором:
один из альбомов года :pray:
 
Lilacs & Champagne - 2024 - Fantasy World
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https://lilacschampagne.bandcamp.com/album/fantasy-world
Nearly a decade after their last album, Lilacs and Champagne picks up right where that record, Midnight Features Vol. 2: Made Flesh, left off. With bizarre excursions into pillowy, sentimental made-for-TV music – and children's choirs incanting the blackest dread-filled music the band has conjured to date – Fantasy World is both transcendent and traumatic.

Despite sharing two founding members of Grails (multi-instrumentalists Emil Amos and Alex Hall) Fantasy World only peripherally resembles their core group. Its most somber tracks, such as “Dr. Why” and “Last Frontier,” approach the morbid loneliness of the beloved Grails series, Black Tar Prophecies. But Lilacs & Champagne have exaggerated their early record's implications and accelerated their mercurial rearranging of music history by deftly incorporating live instrumentation and samples with equal amounts of deference and disregard.

Previously existing primarily in a realm adjacent to instrumental hip-hop (J Dilla, Clams Casino, Madlib), Fantasy World exposes Lilacs & Champagne’s deeper lineage as playful tape-collage culture jammers in the vein of legendary sound satirists, Negativland and Severed Heads. It embraces the effect of a child entering a dollar store: the immediate euphoria felt upon discovering the seemingly endless aisles piled impossibly high with novelty toys, utensils, party decorations, and toiletries eventually gives way to the overwhelming realization that they’re actually just a tourist in a perilous mountain of colorful garbage. From those mountains, Lilacs & Champagne mold monuments to curiosity and confusion.
 
Новый альбом в мае!

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https://grails.bandcamp.com/album/miracle-music

Grails – the experimental rock institution who have cultivated a quarter-century career out of crate-plunging cultural curiosities – returns a mere two years after the lauded Anches En Maat with their most personal and emotionally resonant album to date. While the band still revel in rearranging bizarre and obscure sources into something often revelatory and surreal, Miracle Music does so with an ascendant melodic power that feels hallowed.

The Miracle Music lineup includes cofounders Emil Amos (Om, Holy Sons, Lilacs & Champagne) and Alex Hall (Lilacs & Champagne), alongside returning members, AE Paterra (Zombi, Majeure), Jesse Bates, and Ilyas Ahmed. Produced by Amos, Miracle Music reunites the group with recording engineer Jason Powers and his Type Foundry studio in Portland, Oregon, where the earliest Grails records were made more than two decades ago. Replete with acoustic and electric guitars, synths, woodwinds, brass, samples, percussion – and featuring horn arrangements by Kelly Pratt (David Byrne, M. Ward) – Miracle Music unveils an exquisite new horizon for Grails.

Creatively tireless as ever, Grails balance the boundary-pushing claustrophobia of early Industrial music with the airy melodies of Classical compositions to craft the heavy mood that is Miracle Music. In a catalog defined by mercurial departures, this is Grails’ most sentimental and high-minded trip yet.
 
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